This course will introduce the fundamental principles of theatre and performance making as well as performance analysis. It examines how theatre is developed from a range of sources, and explores ways in which scripted text is transformed, interpreted and manipulated. Working with the body, voice and performance space as critical performance elements, a number of 20th century theatre-making methodologies will be explored and examined. These include the theories and practice of Konstantin Stanislavski and Bertolt Brecht. Where practice approaches are concerned, there will be a particular focus on Realist (Stanislavsky) and Epic (Brecht) dramaturgical and performance strategies. In addition, the course will also introduce two modes of performance analysis, semiotics and phenomenology, and other ways to `de-code' performances.
Academic Units | 3 |
Exam Schedule | Not Applicable |
Grade Type | Letter Graded |
Department Maintaining | NIE |
Prerequisites | Details - refer to https://www.ntu.edu.sg/nie/vpa-electives |
Mutually Exclusive | CDP101 |
Not Available to Programme | ARED, SCED |
Index | Type | Group | Day | Time | Venue | Remark |
---|
0930
1030
1130
1230
1330
1430
1530
1630
1730
ADP16A
39618
LEC/STUDIO | 3A-B2-03
ADP16A
39619
LEC/STUDIO | 3A-B2-03
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